Available for sale from Nohra Haime Gallery, Beatriz González, Viva Mexico (1982), Metal, 12 2/5 in The couple were two young farmers who were deeply in love, but in an effort to preserve the purity of their love, the man (who was suspected to be mentally insane) convinced his girlfriend to commit suicide as a way to show their religious devotion in not wanting to sully the woman's purity. In 1965 González created a painting entitled The Suicides of Sisga, the painting was based on a picture of a young couple that had been published in a local newspaper after they jumped off the dam of the river Sisga in order to preserve the purity of their love. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". After one of González's friends and mentors, Marta Traba pressed the Jury to reconsider their decision, the painting was not only accepted, but Gonzáles won a special prize for her work, that eventually helped launch her career. González intentionally chose this particular work by da Vinci because of its popularity in Colombian culture, this image was commonly placed above the main entrance door as a good-luck charm against thieves. Beatriz González. Based in Bogotá, González (born 1938) is not only an internationally celebrated artist but also one of the few living representatives of the “radical women” generation from Latin America. Spanish Illustrator. The artist co-opted these widely-circulated pictures of mothers, children, saints, and other sentimental figures as a way to question taste, both in popular culture and in her avant garde art circles. The full title of this work is Nací en Florencia y tenía 26 años cuando fue pintado mi retrato (esta frase pronunciada en una voz dulce y baja), translated to I was born in Florence and was 26 years old when my portrait was painted (this phrase pronounced in a low, sweet voice). Bea González (Vhea)'s Portfolio. González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. View Beatriz González’s artworks on artnet. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). [2], Beatriz González was born in Bucaramanga, Colombia in 1938. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. [11], Nací en Florencia (I was born in Florence). She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Colombian artist Beatriz González also graciously opens our minds in the process, exposing the world to us in ways we may not have considered. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. In the early 1970s she began to incorporate mass-produced items in her work. Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. [2], After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. At 81, González is not only an internationally celebrated Colombian artist but also one of the few extant representatives of the so-called “radical women” generation from Latin America. «La política de Beatriz González». Find more prominent pieces of figurative at Wikiart.org – best visual art database. [2][7], When she painted three Colombian presidents (Julio César Turbay Ayala, Carlos Lleras Restrepo, and Belisario Betancur) wearing Native Amazonian headdresses next to a Native Amazonian, many interpreted it as a portrayal of their inefficiency as presidents. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. She returned to Bucaramanga in 1958. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. Buy / Sell. Beatriz González Museo de Arte Miguel Urrutia After earlier presentations at the Museum of Fine Arts, Houston, and the Pérez Art Museum Miami, this retrospective—the most comprehensive showing to date of the work of Beatriz González, one of the most influential living Colombian artists— finally arrived at the Museo de Arte Miguel Urrutia in Bogotá. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. See all articles [3] González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. [6], This work consisted of an image of a mother holding her child that was based on a picture that was widely printed and distributed by a printing company in Colombia. The Artsy Vanguard 2019: 50 Artists to Know Right Now. After one of González's friends and mentors, Marta Traba pressed the Jury to reconsider their decision, the painting was not only accepted, but Gonzáles won a special prize for her work, that eventually helped launch her career. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. She used the location of the would be mirror to frame her work so when the viewers look at the work they see an image of beauty recreated in a cheap, reproduced style. Medellín-Colombia (2015). This work was one of González's first furniture pieces out of her series of furniture works. González is often associated with the Pop Art movement. Exh. The picture was sent to their families, and when the news broke it was widely reprinted in black and white in the local newspapers. Mine was a provincial type of art without horizons, confronting the everyday: art is international." “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. Artprice.com's price levels for this artist … Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. … [5] This work along with many of the others out of her furniture works had the intention of being a "representation of representations" not only through an effort to make universal art, but also to subvert the original function of the furniture itself. Beatriz González: A Retrospective. November 30, 2020 • Beatriz González on art history, bad taste, and the search for memory Beatriz González, Los The full text of the article is here →, https://en.wikipedia.org/wiki/Beatriz_Gonzalez, Sketch for Elementary Landscapes: Fire in the Sierra, Señor presidente, qué honor estar con usted en este momento histórico. [2], In 1965 González created a painting entitled The Suicides of Sisga, the painting was based on a picture of a young couple that had been published in a local newspaper after they jumped off the dam of the river Sisga in order to preserve the purity of their love. Curated by Mari Carmen Ramírez and Tobias Ostrander, Beatriz González: The Master consists of 100 works, the majority of which are paintings, but also sketches and illustrations. For me the type of art that I was doing could only circulate internationally as a curiosity. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). This painting was based on a photo that originally appeared in the press of a couple who commissioned a professional photographer to take their portrait before jumping off the dam of the Sisga on the outskirts of Bogotá. View Beatriz González’s artworks on artnet. Digital and traditional art González is often associated with the Pop Art movement. Beatriz González: A Retrospective was the first large-scale U.S. retrospective of the work of Bogotá-based artist Beatriz González (b. She often thought that the pop movement was not present in her preferred medium of painting and that it wouldn't be an appropriate label for the work she was doing. 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